What do I say about this book?
The Girl who Kicked the Hornet’s Nest the Return of the King of exceedingly trashy thriller novels. Conspiracy! Fraud! Illegal Wire Tapping! Chase scenes! More chase scenes! Good cops! Bad cops! Evil cops! Hacking! Hot heroic women! And, of course… MURDER. Oh, and don’t forget the sex, the yugoslavian mafia guys, the biker gangs, the evil government officials, and the Heroics of Mikhael Blomqvist and Lisbeth Salander and the Millennium crew! When I say "trashy" I don’t mean it in a bad way. Trashy is good. Trashy is often great! But art it is not and boy is this novel trashy. It transcends cheese and right out the other side into glorious, glorious trash.
The story is 600 pages of chase novel. It opens with Lisbeth Salander in the hospital after being shot in the head (!!) and then the quest to clear her of All Wrongs and her eeeevil father, the ex-Soviet military spy and defector to Sweden, just down the hall plotting her horrible demise. Meanwhile, a super secret government group called the Section comes out of retirement to deal with their wayward spy, cover all their tracks, destroy Millennium before evidence is published, and bury Lisbeth Salander forever in a mental institution. No one is going to keep Mikhael Blomqvist from getting the story — and along the way a girl — about something as scandalous as a bunch of old Cold Warriors who will do anything to keep an old Soviet Spy who has moved into sex trafficking a secret.
And then everyone runs all over Sweden — except Lisbeth, who spends 80% of the novel lying in bed in a hospital hacking. The Girl who Kicks the Hornet’s Nest is the book where Stieg Larsson figured out how to write. The scenes are short and breathless. The chapters are laid out day by day so while Horrible Things happen one day you just have to know what happens on the next. Despite having an enormous cast, the plot moves along at breakneck pace. It’s a fun read! And surprisingly, fairly well plotted.
Most of Lisbeth’s hacking actually manages to pass the smell test. It’s a little exaggerated in places simply through time compression but otherwise its likely plausible enough. My only true quibble with this book is the Erika Berger B plot which seems to serve no purpose other than for Erika to leave, run around, whine, and then return to Millennium older and wiser and having learned a Valuable Lesson. Perhaps I simply do not like the Erika Berger character, but I found the B plot to be a little tedious and pointless. Otherwise, I enjoyed most of the second fiddle characters — the Milton Security guys (and gal), the Constitutional Protection Police in SIS, the regular cops, and, overall, the bad guys who, to their credit, are immensely bad.
The Girl Who Kicked the Hornet’s Nest firmly earns its 5 star rating by bringing the story to a complete conclusion. The very end is a tad rushed but it ends. The trilogy concludes. I feel comfortable walking away from Lisbeth Salander and Mikhael Blomqvist and all their friends and enemies. The story has been told.
I feel comfortable recommending the series after the conclusion of the Girl Who Kicked the Hornet’s Nest. I know, you’re probably looking at the books and going: "Man, these books are everywhere. Should I really read them?" My answer: yep. The third book is all payoff, baby.